Sunday, September 29, 2013
Friday, September 20, 2013
The Seasons of Winesburg, Ohio
The Seasons of Winesburg, Ohio
Preparing
for the mini seminar for last Thursday really helped me see the patterns of
seasons, weather, and just the whole interrelation of the characters in Winesburg,
Ohio. My story assigned to me was 'Paper Pills'. I never knew there was so
much correlation with one story to another until I read 'Paper Pills' over and
over again.
The moments of truth touch the
character in different ways. However, the truth of youth, sent by Doctor Reefy,
cannot dwell in the hearts of the characters for long because they have already
become grotesque.
Sunday, September 15, 2013
Youth vs. Aged
Youth
vs. Aged
I
don't think I will ever be able to anticipate the mind-blowing moments in AP
Lit, no matter how many discussions I go through. Friday, after taking the
reading quiz, my mind was completely blown away, literally. I read
and annotated Winesburg, Ohio pretty
decently but wasn’t able to draw any connections or realize any of Sherwood
Anderson’s brilliance. Here are examples of my take away from some of the
chapters when I read on my own: Hands= a lonely pedophile with weird hands,
Mother: poor woman who cannot find comfort from anyone, and The Strength of
God: a really creepy pastor who creeps on a woman. What my point is that when I
was reading this book, I was just confused and puzzled as to how the stories
connected together and how it can be one of Mrs. Clinch’s favorite books. But,
after Friday, I had a major realization and know that that magical discussion
was only a small scratch in analyzing Winesburg,
Ohio.
It
seems like everyone in Winesburg, Ohio
is trying to teach George Willard and to force him to end their miseries by
telling him about their experiences. For many of these characters, George
Willard is still young, and therefore, has hope. They believe that if George
heeds to their instructions, their agonies will be no more. For example, Wing
Biddlebaum tells George, “You have the inclination to be alone and to dream and
you are afraid of dreams… You must begin to dream” (Anderson 7). It’s not even
a plea; it’s a command for George Willard to heed. Why does Wing demand this of
George? Because he himself lost the ability to dream after the parents of the
Pennsylvania town took away his joy and, basically, his life. For Wing, it is
for George to continue the journey Wing never got to finish, but the demand
only frightens George. I think a point Anderson may be trying to say is that
people’s dreams are taken away by society’s rules and expectations, but for
youth, there is still hope, it just depends on whether or not youth decides to
listen and dream for their sake as well as for the older generation. However,
Wing is not the only person who seeks to give advice to George, Doctor
Parcival, Elizabeth Willard, and Kate Swift also desire for George to heed to
their idea.
The
conflict between youth and old age constantly appears in the novel. While the
young people, just like the berry pickers in Hands, take risks and enjoy life,
the older people stay confined to their environment, whether it be their home
or job, and reminiscent about their past. It’s as if they are actually mentally
and physically immobile from their environment. Therefore, ‘trees’, ‘fields’, ‘roads’,
and ‘train’ are associated with the youth. I think this concept is still prevalent
in today’s society. Many adults in a child’s life are trying to speak of their
truth and to guide and instruct the child to follow their road. However, in
doing so, the child may experience bewilderment and confusion because he or she
is not given the chance to realize who he or she is before venturing out into
the world. Finding one’s identity should occur before the adults try to force a
way of life.
Tuesday, September 10, 2013
Frankenstein and the Importance of “Tintern Abbey”
Frankenstein and
the Importance of “Tintern Abbey”
The sounding
cataract
Haunted me like
a passion: the tall rock,
The mountain,
and the deep and gloomy wood,
Their colours
and their forms, were then to me
An appetite; a
feeling and a love,
That had no need
of a remoter charm,
By thought
supplied, nor any interest
Unborrowed from
the eye.
As history
records, Mary Shelley’s writing was influenced by a wide range of great
novelists, philosophers, and poets. Her father’s circle of friends included the
famed poet: Samuel T. Coleridge, who collaborated alongside with Wordsworth
during his lifetime. Therefore, it is only natural that Shelley’s most renowned
novel, Frankenstein, embodies many
characteristics used or works created by these people. Among many examples, the
inclusion of the excerpt of Wordsworth’s famous poem: Tintern Abbey in Frankenstein not only is able to
explicitly capture the significance of Victor and Henry’s roles as foils but
also embody the supreme importance of nature.
Henry and Victor are, in modern terms, best friends. They grow from being childhood playmates to companions as they age. However, even as children, their subjects of interests can be seen as complete opposites. Henry finds passion in, “the moral relations of things… the virtues of heroes, and the actions of men, were this theme…” (35). Whereas Victor says he is, “directed to the metaphysical, or, in its highest sense, the physical secrets of the world” (34). These two paths guide their future pursuits, and in Shelley’s view, Clerval towards good and Victor towards evil. Clerval’s quest for knowledge did not and could not pave his way for destruction because his pursuit is, in a way, to become one with nature. Victor on the other hand does everything in his power to be polarized from nature and to conquer it. Victor realizes this difference and quotes a section of “Tintern Abbey”, changing the pronoun ‘I’ to ‘him’ to idolize Henry in order to subconsciously recognize and admit to all of his own flaws and mistakes. Therefore, the contrast of Henry and Victor creates a strong emphasis on the negative consequences that befall on humans who parallel their lives with the course of nature.
I believe that Shelley respected Wordsworth and his philosophies to a point where she wanted to reiterate his message to the world through her novel. Frankenstein, the product of that desire, therefore, shares many similarities with “Tintern Abbey” in order to best illustrate Wordsworth’s message. Just as Wordsworth narrates the poem to Dorothy, Walton also has Margaret be the ultimate listener. Although the characters themselves do not correlate in a literal sense, the effect Shelley creates is essential to the novel. Margaret is who the story dedicates itself to and the most crucial figure because she has the final say in the outcome or opinion on Walton’s tale. Shelley, to even further point out “Tintern Abbey”, directly has Victor quote the poem. As I mentioned earlier, the poem serves to highlight and bring out Henry’s role as a foil to Victor. However, the quoted section of the poem also is one of Wordsworth’s most intimate confessions about his connection with nature. So I am convinced that Wordsworth plays the all the characters of Walton, Henry, and Nature at different points of the book. Similar to “Tintern Abbey”, these characters demonstrates how Wordsworth goes through the phase of appreciating external beauty, internal beauty, and aligning himself to become one with nature. Therefore, Walton relays the beginning of the phase, then Henry as the character to embody the internal realization, then Nature to communicate the alignment phase.
I may be making conclusions that are too far-fetched, but it is definitely interesting to think about and ponder why Shelley would connect the novel to the elements regarding “Tintern Abbey”.
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